![]() ![]() That’s the genius of the twist in Homecoming-the way it leverages our simple minds to stunning effect. Because Peter Parker’s high school crush, Liz (Laura Harrier), is Black and Spider-Man’s nemesis, Adrian Toomes (Michael Keaton), is white, I never once considered that the latter could be the former’s father. Spider-Man: Homecoming I’m Dating the Villain’s Daughter?! Third of all, if you disagree with anything in here, that’s just us, The Ringer, pulling off a great twist on you personally. Second of all, scroll with caution-by definition, this is basically a collection of the biggest spoilers in the history of pop culture. First of all, here is the working definition of plot twist that our staff used when voting on their favorites. (The twist here is that we’re celebrating a 14th anniversary rather than waiting one more year for a round number.) Join us on Twist Tuesday, as we break down what goes into an effective twist, explain the drastic consequences of shocking your audience, and below, rank the greatest twists of all time.īefore we get to the list, a few notes. On the other hand, u/Xinsects argued that "The ending of Martyrs (2008) offers one of the most brilliantly ambiguous endings I know of." It's hard to feel indifferent towards a movie that's so, well, extreme.The 14th anniversary of The Prestige felt like as good an excuse as any to create a package devoted to the movie and TV twists through the years that have stunned us, destroyed us, and changed the way we think. "I just finished watching Martyrs, and I regret watching it," Redditor u/_endorstoi wrote. Did Mademoiselle kill herself because Anna proved the existence of the afterlife, or because she didn't? Either way, it's one of the most disturbing climaxes in horror history, dividing viewers. Viewers aren't privy to what Anna told Mademoiselle, which leaves the ending's meaning open for interpretation. Mademoiselle tells the other cult members to "keep doubting" before killing herself with a gun. She survives the torture and whispers something to Mademoiselle (Catherine Bégin), the cult's leader. Anna survives longer than any of their other subjects and reaches the study's final stage, being flayed alive. The cult uses torture - calling their victims "martyrs" - to unlock the secrets of the afterlife. In his mind, the UK version is the happier ending, "Not for us, but for her." version is "a happy ending at all" because Sarah loses her sanity. Marshall told Vulture he doesn't think the U.S. In fact, both endings are extremely bleak, which is bound to upset certain viewers. Some fans find the final jumpscare of Juno unnecessary, though it certainly delivers one last fright. ![]() ![]() cut depicts Sarah escaping without that final twist. Lionsgate, the film's American distributor, considered that ending too depressing, so the U.S. The next scene reveals that Sarah never left the cave at all and is still down there hallucinating her dead daughter as the creatures surround her. In the original UK version, Sarah escapes the cave and makes it to the road where she hallucinates her traitorous friend Juno (Natalie Mendoza). Everyone but Sarah dies in the caves - depending on which ending you see. As if the claustrophobic ambiance of the caves weren't enough, the women also encounter mole-like humanoids who feed on human flesh.
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